| |
Director: Theo Angelopoulos
Script: Theo Angelopoulos and Petros Markaris
Cinematography: Yorgos Arvanitis
Music: Christodoulos Halaris
Cast: Omero Antonutti, Eva Kotamanidou, Grigoris Evangelatos,
Michalis Yannatos, Laura de Marchi
Producer: Nikos Angelopoulos

Production: RAI/ZDF/Theo Angelopoulos Productions/Greek Film
Centre

Theo Angelopoulos
Alexander The Great
Eternity and a Day
Landscape in the Mist
The Bee Keeper
The Hunters
The Travelling
Players
Ulysses' Gaze
Voyage to Cythera |
|
|
ALEXANDER THE GREAT

Greece-Italy, 1980, 210 min, color
Awards: Venice '80 - 2 awards (Golden Lion and FIPRESCI Award)
Greek Film Critics Award for vest film
The film is a study of the 20th century cult of personality - the myth, the lure and the corruption of the political hero who is a fusion of two types. The main character is a bandit of the sort that typically plagued 19th century Greece. Wrapped in the spiritual cloak of yet another Megalexandros - a legendary Greek liberator whose tale originated in 1453 under Turkish domination - he becomes a leader of mysterious charisma. He kidnaps a group of English aristocrats and takes them to a mountain village where he is attempting to run an agrarian commune, along with a company of Italian anarchists. The socialist hero becomes a Stalin-like tyrant whose trademark, silence, only reinforces his power. The film is a true work of demythification - from the roots of myth to the false promises of the new century.
"Through his lens, Angelopoulos looks at things in silence. It is the weight of this silence and the intensity of the immobile stare of the camera which makes makes this film so powerful that the viewer cannot break away from the screen. As for myself, watching this film I deeply felt the pleasure of cinema, in the most absolute meaning of the term."
Akira Kurosawa
|
|
|
THEO ANGELOPOULOS


Greek director, born in 1935 in Athens to a family of merchants. He
studied law at the University of Athens and became a practicing lawyer.
At that time he began writing and publishing essays, stories and poems.
After completing his military service in the late 50's, he went to
attend the Sorbonne and then enrolled to study film in the prestigious
French film school, IDHEC. He worked for a time at the Musee de l'Homme
under the tutelage of Jean Rouch, the ethnographer and pioneer of
cinema verite film. He returned to Athens in 1964 and, until 1967,
was a film critic for the leftist paper "Democratic Change". He began
to make films in 1965, an attempt at a full-length feature film entitled
"The Forminx Story" which he never completed after a disagreement
with the producers and then one short film and in 1970 his first full-length
feature film "Reconstruction".
Since then his films have participated in countless international
festivals and have won numerous awards that have established his reputation
as one of the most influential directors in contemporary cinema. Whether
dealing with the recent or distant past, most of Angelopoulos' films
contain a political message applicable to modern times.
Theo Angelopoulos is a strange, solitary and uniquely modern filmmaker.
Originally part of the so-called "Paris group", which was at the core
of reaction in the sixties against traditional cinema, he soon moved
away on his own to carving for himself an important niche among the
great directors of the first century of cinema.

1965 Peripeteies me tous Forminx -unfinished
1968 I Ekpombi - short
1970 Anaparastasi
1972 Meres tou 36
1975 O Thiassos
1977 Oi Kynighoi
1980 Megaleksandros
1981 Ena chorio, enas katikos - docu
1983 Athena, epistrofi stin Acropoli - docu
1983 Taxidi sta Kithira
1986 O Melissokomos
1988 Topio stin omichli
1991 To Meteoro vima tou pelargou
1995 To Vlemma tou Odyssea
1995 Lumiere et compagnie - docu, part
1998 Mia eoniotita ke mia mera
|
|