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Director: Mohsen Makhmalbaf
Script: Mohsen Makhmalbaf
Cinematography: Ebrahim Ghazizadeh and Faraj Heidari
Cast: Majid Majidi, Zohreh Sarmadi, Mohammad Kasebi

Mohsen Makhmalbaf
Boycott
Bread and Flower
Kandahar
Marriage of the Blessed
Once Upon a Time,
Cinema
Testing Democracy
from ('Tales from an Island')
The Actor
The Cyclist
The Day I Became a
Woman
The Door (from 'Kish Tales')
The Peddler |
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BOYCOTT

Iran, 1986, 95 min, color

Valeh is an irregular troop communist. His wife seeks a normal life and opposes the dangerous activities of her husband. When Valeh takes his wife to the hospital for childbirth, he gets arrested and after being tortured and interrogated in the courthouse he is sentenced to execution and is sent to the public jail. In the public jail his friends ask him to die like a hero and make the effort for the continuance of the struggle but he loses his combat motives despite his friends' advice because when he dies he will no longer be, so he tries to stay alive or at least find a better motive for dying. |
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MOHSEN MAKHMALBAF


One of the most popular and influential Iranian filmmakers is born
in 1957 in a poor neighborhood in Tehran. At the age of 15, he quit
school to provide for his family. He became involved with a militant
terrorist group battling against the Shah's regime. at the age of
17 he was sentenced to die after stabbing a policeman. Ultimately,
his youth allowed him to escape the fate of a firing squad, and after
serving only five years of his sentence he was freed in the wake of
the country's 1979 Islamic revolution. After his release Makhmalbaf
helped establish an artists' group known as the Center for the Propagation
of Islamic Thought, and he became a prolific writer of plays, essays,
short stories, and finally screenplays.
His first filmed script was 1981's "The Explanation", filmed
by Manuchehr Haghaniparast and he directed his first feature "Nassouh's
Repentance" in 1983. Throughout the remainder of the decade,
he wrote and directed roughly one film a year, each wildly different
in style and content. With 1986's "The Peddler", Makhmalbaf
first began attracting international film-festival attention. With
1990's "Time of Love" and its immediate follow-up, "The
Nights of Zayandeh Roud", he also came under the scrutiny of
the censors, which promptly banned both features.
While making 1993's "The Actor", a satire of the media in
contemporary Iran, his first wife burned to death in a domestic accident
(he later married her sister Marzieh Meshkini). With 1996's "Gabbeh",
he even found U.S. distribution for his work. Makhmalbaf was also
the subject of several documentaries, among them Abbas Kiarostami's
"Close-Up".

1983 Tobeh Nosuh
1984 Do Cheshman Beesu
1984 Este'aze
1986 Boycott
1987 Dastforough
1989 Bicycleran)
1989 Arousi-ye Khouban
1990 Nobat e asheghi
1991 Shabhaye Zayendeh-Rood
1992 Nassereddin Shah, Actor-e Cinema
1993 Honarpisheh
1995 Salaam Cinema
1996 Gabbeh
1996 Nun va Goldoon
1998 Sokhout
1999 Ghesse Haye Kish - segment "The Door"
2000 Tales of an Island - segment "Testing Democracy"
2001 Safar e Ghandehar





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