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Director: Theo Angelopoulos
Script: Theo Angelopoulos, Tonino Guerra, Petros Markaris and Giorgio Silvagni
Cinematography: Giorgos Arvanitis and Andreas Sinani
Music: Eleni Karaindrou
Cast: Bruno Ganz, Isabelle Renauld, Achileas Skevis, Despina Bebedeli, Iris Chatziantoniou, Fabrizio Bentivoglio
Producers: Theo Angelopoulos, Eric Heumann, Giorgio Silvagni and Amedeo Pagani

Production: Theo Angelopoulos Films, Greek Film Centre, Greek TV (ERT) (Athens)/Paradis Films, La Sept Cinema (Paris)/Intermedias (Rome)

Galas
Brotherhood of the Wolf
Eternity and a Day
Kandahar
No Man's Land
Redeemer
The Circle
Touched by God
Theo Angelopoulos
Alexander The Great
Eternity and a Day
Landscape in the Mist
The Bee Keeper
The Hunters
The Travelling Players
Ulysses' Gaze
Voyage to Cythera
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ETERNITY AND A DAY MIA AIWNIOTHTA KAI MIA MERA L'ETERNITE ET UN JOUR

Greece-France-Italy, 1998, 134 min, color

Awards: Cannes '98 - Golden Palm and Prize of the Ecumenical Jury
Alexander lives in his old seaside family home near Thessaloniki, but his daughter plans to sell the house slightly damaged by an earthquake. Seriously ill, Alexander thinks if he checks himself into the hospital, he'll never check out. He works on the last unfinished work of a 19th-century poet, but he puts that aside in order to find a home for his dog. After rescuing an Albanian boy from a gang that sells children to wealthy Greeks, he intends to return the youth to his grandmother. The old man and the boy set forth on a journey and meet the 19th-century poet.
"This is a film about a man on the last day of his life. Gian-Maria Volonte died while we were shooting "Ulysses' Gaze" in Bosnia - in Mostar, after which we crossed the frontier to Split. That was his last day, and his last journey."
Theo Angelopoulos
"With its award Cannes competition jury voted for an increasingly unfashionable (and therefore increasingly important) type of cinema - film with a powerful intellectual and philosophical drive, with his imaginative roots in the classical tradition, at once national and pan-European."
Jonathan Romney, Sight & Sound
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THEO ANGELOPOULOS


Greek director, born in 1935 in Athens to a family of merchants. He studied law at the University of Athens and became a practicing lawyer. At that time he began writing and publishing essays, stories and poems. After completing his military service in the late 50's, he went to attend the Sorbonne and then enrolled to study film in the prestigious French film school, IDHEC. He worked for a time at the Musee de l'Homme under the tutelage of Jean Rouch, the ethnographer and pioneer of cinema verite film. He returned to Athens in 1964 and, until 1967, was a film critic for the leftist paper "Democratic Change". He began to make films in 1965, an attempt at a full-length feature film entitled "The Forminx Story" which he never completed after a disagreement with the producers and then one short film and in 1970 his first full-length feature film "Reconstruction".
Since then his films have participated in countless international festivals and have won numerous awards that have established his reputation as one of the most influential directors in contemporary cinema. Whether dealing with the recent or distant past, most of Angelopoulos' films contain a political message applicable to modern times.
Theo Angelopoulos is a strange, solitary and uniquely modern filmmaker. Originally part of the so-called "Paris group", which was at the core of reaction in the sixties against traditional cinema, he soon moved away on his own to carving for himself an important niche among the great directors of the first century of cinema.

1965 Peripeteies me tous Forminx -unfinished
1968 I Ekpombi - short
1970 Anaparastasi
1972 Meres tou 36
1975 O Thiassos
1977 Oi Kynighoi
1980 Megaleksandros
1981 Ena chorio, enas katikos - docu
1983 Athena, epistrofi stin Acropoli - docu
1983 Taxidi sta Kithira
1986 O Melissokomos
1988 Topio stin omichli
1991 To Meteoro vima tou pelargou
1995 To Vlemma tou Odyssea
1995 Lumiere et compagnie - docu, part
1998 Mia eoniotita ke mia mera
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