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Director: Mohsen Makhmalbaf
Script: Mohsen Makhmalbaf
Cinematography: Ebrahim Ghafori
Editor: Mohsen Makhmalbaf
Music: M.R. Darvishi
Cast: Niloufar Pazira, Hassan Tantai, Sadou Teymouri
Producer: Mohsen Makhmalbaf

Production: Makhmalbaf Film House/Bac Films
International distribution: Wild Bunch, Paris

Galas
Brotherhood of the Wolf
Eternity and a Day
Kandahar
No Man's Land
Redeemer
The Circle
Touched by God
Mohsen Makhmalbaf
Boycott
Bread and Flower
Kandahar
Marriage of the Blessed
Once Upon a Time, Cinema
Testing Democracy from ('Tales from an Island')
The Actor
The Cyclist
The Day I Became a Woman
The Door (from 'Kish Tales')
The Peddler
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KANDAHAR SAFAR E GANDEHAR

Iran-France, 2001, 85 min, color

Awards: Cannes '01 - Prize of the Ecumenical Jury
Thessaloniki '01 - FIPRESCI Award (Parallel Sections)
"Federico Fellini" Medal from UNESCO
EFA '01 - nomination for "Five Continents Award"
Nafas is a young journalist who was born in Afghanistan and took refuge in Canada during the time of the civil war with the Taliban. As the film begins, she is telling her story to a helicopter pilot as he tries to smuggle her into Afghanistan. When her family fled Afghanistan, Nafas's younger sister was maimed by a land mine and lost in the fray. Now, years later, Nafas has received a letter from her sister; unable to go on living under the Taliban, she plans to commit suicide during the next eclipse. Nafas has three days to find a way into the country and then to the city of Kandahar, in order to stop her. Covering herself in the heavy burka, or veil, to enter Afghanistan, Nafas feels first-hand the suffocating lack of freedom experienced by contemporary Afghan women.
"Kandahar is the first time that Makhmalbaf has worked with a largely English-language script. He singles out the extreme version of Sunni Islam practiced by the Taliban, but his message could readily be applied to Iranian theocratic Shi'ism, or indeed market-driven capitalism. The result is a work of cinema as humanitarian as it is visionary."
S.F. Said
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MOHSEN MAKHMALBAF


One of the most popular and influential Iranian filmmakers is born in 1957 in a poor neighborhood in Tehran. At the age of 15, he quit school to provide for his family. He became involved with a militant terrorist group battling against the Shah's regime. at the age of 17 he was sentenced to die after stabbing a policeman. Ultimately, his youth allowed him to escape the fate of a firing squad, and after serving only five years of his sentence he was freed in the wake of the country's 1979 Islamic revolution. After his release Makhmalbaf helped establish an artists' group known as the Center for the Propagation of Islamic Thought, and he became a prolific writer of plays, essays, short stories, and finally screenplays.
His first filmed script was 1981's "The Explanation", filmed by Manuchehr Haghaniparast and he directed his first feature "Nassouh's Repentance" in 1983. Throughout the remainder of the decade, he wrote and directed roughly one film a year, each wildly different in style and content. With 1986's "The Peddler", Makhmalbaf first began attracting international film-festival attention. With 1990's "Time of Love" and its immediate follow-up, "The Nights of Zayandeh Roud", he also came under the scrutiny of the censors, which promptly banned both features.
While making 1993's "The Actor", a satire of the media in contemporary Iran, his first wife burned to death in a domestic accident (he later married her sister Marzieh Meshkini). With 1996's "Gabbeh", he even found U.S. distribution for his work. Makhmalbaf was also the subject of several documentaries, among them Abbas Kiarostami's "Close-Up".

1983 Tobeh Nosuh
1984 Do Cheshman Beesu
1984 Este'aze
1986 Boycott
1987 Dastforough
1989 Bicycleran
1989 Arousi-ye Khouban
1990 Nobat e asheghi
1991 Shabhaye Zayendeh-Rood
1992 Nassereddin Shah, Actor-e Cinema
1993 Honarpisheh
1995 Salaam Cinema
1996 Gabbeh
1996 Nun va Goldoon
1998 Sokhout
1999 Ghesse Haye Kish - segment "The Door"
2000 Tales of an Island - segment "Testing Democracy"
2001 Safar e Ghandehar
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