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  Director: Mohsen Makhmalbaf
Script: Mohsen Makhmalbaf
Cinematography: Nemat Haghighi and Faraj Heidari
Editor: Mohsen Makhmalbaf
Music: Madjid Entezami
Cast: Ezzatolah Entezami, Akbar Abdi, Mohamad Ali Keshavarz, Fatemah Motamed-Aria
Producer: Mohammad Mehdi Dadgo



Mohsen Makhmalbaf
Boycott
Bread and Flower
Kandahar
Marriage of the Blessed
Once Upon a Time, Cinema
Testing Democracy from ('Tales from an Island')
The Actor
The Cyclist
The Day I Became a Woman
The Door (from 'Kish Tales')
The Peddler
   
ONCE UPON A TIME, CINEMA
NASSEREDDIN SHAH, ACTOR-E CINEMA



Iran, 1992, 92 min, color/black & white


Awards: Karlovy Vary '92 - Special Prize of the Jury
Istanbul '93 - Special Prize of the Jury
Taormina '92 - best film

This loving comedic homage to movies and moviemaking in Iran is probably best appreciated by those who are familiar with that country's cinematic traditions, including current censorship rules. It jumps around helter-skelter from the old silent days under the Shah to the current day, and makes fun of censorship rules, such as the current rule that women's hair is not to be shown. The leading character is known simply as "Cinematographer," and characters appear in multiple roles onscreen in re-created films from previous eras, as well as in the story itself. In some cases, the screen characters leave the movie they are in and talk with real-life people. This antic comedy also screens clips from well-known Iranian films of the past. Reviewers who were unable to speak Farsi, or Persian (as it is sometimes known) couldn't make sense of the plot, but found plenty of humorous references to international film movements to enjoy.

"Once Upon a Time, Cinema" is a fantasy on the pattern of fairy tales of "One thousand and one nights", which presents a condensed history of Iranian cinema and expresses the love of cinema in general.

Mohsen Makhmalbaf
    MOHSEN MAKHMALBAF





One of the most popular and influential Iranian filmmakers is born in 1957 in a poor neighborhood in Tehran. At the age of 15, he quit school to provide for his family. He became involved with a militant terrorist group battling against the Shah's regime. at the age of 17 he was sentenced to die after stabbing a policeman. Ultimately, his youth allowed him to escape the fate of a firing squad, and after serving only five years of his sentence he was freed in the wake of the country's 1979 Islamic revolution. After his release Makhmalbaf helped establish an artists' group known as the Center for the Propagation of Islamic Thought, and he became a prolific writer of plays, essays, short stories, and finally screenplays.
His first filmed script was 1981's "The Explanation", filmed by Manuchehr Haghaniparast and he directed his first feature "Nassouh's Repentance" in 1983. Throughout the remainder of the decade, he wrote and directed roughly one film a year, each wildly different in style and content. With 1986's "The Peddler", Makhmalbaf first began attracting international film-festival attention. With 1990's "Time of Love" and its immediate follow-up, "The Nights of Zayandeh Roud", he also came under the scrutiny of the censors, which promptly banned both features.
While making 1993's "The Actor", a satire of the media in contemporary Iran, his first wife burned to death in a domestic accident (he later married her sister Marzieh Meshkini). With 1996's "Gabbeh", he even found U.S. distribution for his work. Makhmalbaf was also the subject of several documentaries, among them Abbas Kiarostami's "Close-Up".



1983  Tobeh Nosuh
1984  Do Cheshman Beesu
1984  Este'aze
1986  Boycott
1987  Dastforough
1989  Bicycleran
1989  Arousi-ye Khouban
1990  Nobat e asheghi
1991  Shabhaye Zayendeh-Rood
1992  Nassereddin Shah, Actor-e Cinema
1993  Honarpisheh
1995  Salaam Cinema
1996  Gabbeh
1996  Nun va Goldoon
1998  Sokhout
1999  Ghesse Haye Kish - segment "The Door"
2000  Tales of an Island - segment "Testing Democracy"
2001  Safar e Ghandehar

 
                 
 
   © 2002 Production Company "Art Fest"