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Director: Mohsen Makhmalbaf
Script: Mohsen Makhmalbaf
Cinematography: Nemat Haghighi and Faraj Heidari
Editor: Mohsen Makhmalbaf
Music: Madjid Entezami
Cast: Ezzatolah Entezami, Akbar Abdi, Mohamad Ali Keshavarz,
Fatemah Motamed-Aria
Producer: Mohammad Mehdi Dadgo

Mohsen Makhmalbaf
Boycott
Bread and Flower
Kandahar
Marriage of the Blessed
Once Upon a Time,
Cinema
Testing Democracy
from ('Tales from an Island')
The Actor
The Cyclist
The Day I Became a
Woman
The Door (from 'Kish Tales')
The Peddler |
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ONCE UPON A TIME, CINEMA
NASSEREDDIN SHAH, ACTOR-E CINEMA

Iran, 1992, 92 min, color/black & white
Awards: Karlovy Vary '92 - Special Prize of the Jury
Istanbul '93 - Special Prize of the Jury
Taormina '92 - best film
This loving comedic homage to movies and moviemaking in Iran is probably best appreciated by those who are familiar with that country's cinematic traditions, including current censorship rules. It jumps around helter-skelter from the old silent days under the Shah to the current day, and makes fun of censorship rules, such as the current rule that women's hair is not to be shown. The leading character is known simply as "Cinematographer," and characters appear in multiple roles onscreen in re-created films from previous eras, as well as in the story itself. In some cases, the screen characters leave the movie they are in and talk with real-life people. This antic comedy also screens clips from well-known Iranian films of the past. Reviewers who were unable to speak Farsi, or Persian (as it is sometimes known) couldn't make sense of the plot, but found plenty of humorous references to international film movements to enjoy.
"Once Upon a Time, Cinema" is a fantasy on the pattern of fairy tales of "One thousand and one nights", which presents a condensed history of Iranian cinema and expresses the love of cinema in general.
Mohsen Makhmalbaf
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MOHSEN MAKHMALBAF


One of the most popular and influential Iranian filmmakers is born
in 1957 in a poor neighborhood in Tehran. At the age of 15, he quit
school to provide for his family. He became involved with a militant
terrorist group battling against the Shah's regime. at the age of
17 he was sentenced to die after stabbing a policeman. Ultimately,
his youth allowed him to escape the fate of a firing squad, and after
serving only five years of his sentence he was freed in the wake of
the country's 1979 Islamic revolution. After his release Makhmalbaf
helped establish an artists' group known as the Center for the Propagation
of Islamic Thought, and he became a prolific writer of plays, essays,
short stories, and finally screenplays.
His first filmed script was 1981's "The Explanation", filmed by Manuchehr
Haghaniparast and he directed his first feature "Nassouh's Repentance"
in 1983. Throughout the remainder of the decade, he wrote and directed
roughly one film a year, each wildly different in style and content.
With 1986's "The Peddler", Makhmalbaf first began attracting international
film-festival attention. With 1990's "Time of Love" and its immediate
follow-up, "The Nights of Zayandeh Roud", he also came under the scrutiny
of the censors, which promptly banned both features.
While making 1993's "The Actor", a satire of the media in contemporary
Iran, his first wife burned to death in a domestic accident (he later
married her sister Marzieh Meshkini). With 1996's "Gabbeh", he even
found U.S. distribution for his work. Makhmalbaf was also the subject
of several documentaries, among them Abbas Kiarostami's "Close-Up".

1983 Tobeh Nosuh
1984 Do Cheshman Beesu
1984 Este'aze
1986 Boycott
1987 Dastforough
1989 Bicycleran
1989 Arousi-ye Khouban
1990 Nobat e asheghi
1991 Shabhaye Zayendeh-Rood
1992 Nassereddin Shah, Actor-e Cinema
1993 Honarpisheh
1995 Salaam Cinema
1996 Gabbeh
1996 Nun va Goldoon
1998 Sokhout
1999 Ghesse Haye Kish - segment "The Door"
2000 Tales of an Island - segment "Testing Democracy"
2001 Safar e Ghandehar
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