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  Director: Mohsen Makhmalbaf
Script: Mohsen Makhmalbaf
Cinematography: Aziz Sa'ati
Editor: Mohsen Makhmalbaf
Music: Ahmad Pezhman
Cast: Akbar Abdi, Fatemah Motamed-Aria, Mahaya Petrossian
Producer: Abbas Ranjibar



Production: Areen Film House
International distribution: Farabi Cinema Foundation



Mohsen Makhmalbaf
Boycott
Bread and Flower
Kandahar
Marriage of the Blessed
Once Upon a Time, Cinema
Testing Democracy from ('Tales from an Island')
The Actor
The Cyclist
The Day I Became a Woman
The Door (from 'Kish Tales')
The Peddler
   
THE ACTOR



Iran, 1993, 86 min, color


Iran's leading comic Akbar Abdi plays Akbar, a comedy actor whose ambition has outgrown the shlock that made him famous. His goal is to move into more challenging work; he models himself on Charlie Chaplin. His agent, looking at the prospect of a drastically reduced cut in the star's earnings, is trying to fend off these ambitions. At home, Akbar's wife is frantic to provide him with an heir. She is so determined that Akbar should have a child that, since she appears to be sterile, she arranges for him to marry a deaf-mute gypsy girl. In one humorous scene, Akbar gets caught in a traffic jam.His fellow "jamees," on seeing him, are convinced that they are extras in one of his movies.

"Film critics hailed De Sica's "Bicycle Thieves" because he put the blame on the social conditions and not on the thieves. Later the same people judged De Sica for directing commercial films.They failed to see that De Sica himself is another "thief". In this film I have looked at an actor's situation from De Sica's point of view."

Mohsen Makhmalbaf
    MOHSEN MAKHMALBAF





One of the most popular and influential Iranian filmmakers is born in 1957 in a poor neighborhood in Tehran. At the age of 15, he quit school to provide for his family. He became involved with a militant terrorist group battling against the Shah's regime. at the age of 17 he was sentenced to die after stabbing a policeman. Ultimately, his youth allowed him to escape the fate of a firing squad, and after serving only five years of his sentence he was freed in the wake of the country's 1979 Islamic revolution. After his release Makhmalbaf helped establish an artists' group known as the Center for the Propagation of Islamic Thought, and he became a prolific writer of plays, essays, short stories, and finally screenplays.
His first filmed script was 1981's "The Explanation", filmed by Manuchehr Haghaniparast and he directed his first feature "Nassouh's Repentance" in 1983. Throughout the remainder of the decade, he wrote and directed roughly one film a year, each wildly different in style and content. With 1986's "The Peddler", Makhmalbaf first began attracting international film-festival attention. With 1990's "Time of Love" and its immediate follow-up, "The Nights of Zayandeh Roud", he also came under the scrutiny of the censors, which promptly banned both features.
While making 1993's "The Actor", a satire of the media in contemporary Iran, his first wife burned to death in a domestic accident (he later married her sister Marzieh Meshkini). With 1996's "Gabbeh", he even found U.S. distribution for his work. Makhmalbaf was also the subject of several documentaries, among them Abbas Kiarostami's "Close-Up".



1983  Tobeh Nosuh
1984  Do Cheshman Beesu
1984  Este'aze
1986  Boycott
1987  Dastforough
1989  Bicycleran
1989  Arousi-ye Khouban
1990  Nobat e asheghi
1991  Shabhaye Zayendeh-Rood
1992  Nassereddin Shah, Actor-e Cinema
1993  Honarpisheh
1995  Salaam Cinema
1996  Gabbeh
1996  Nun va Goldoon
1998  Sokhout
1999  Ghesse Haye Kish - segment "The Door"
2000  Tales of an Island - segment "Testing Democracy"
2001  Safar e Ghandehar

 
                 
 
   © 2002 Production Company "Art Fest"