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Director: Theo Angelopoulos
Script: Theo Angelopoulos
Cinematography: Yorgos Arvanitis
Music: Loukianos Kilaidonis
Cast: Eva Kotamanidou, Aliki Georgouli, Stratos Pachis, Maria
Vassiliou, Vangelis Kazan, Petros Zarkadis
Producer: Yorgos Papalios

Theo Angelopoulos
Alexander The Great
Eternity and a Day
Landscape in the Mist
The Bee Keeper
The Hunters
The Travelling
Players
Ulysses' Gaze
Voyage to Cythera |
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THE TRAVELLING PLAYERS
O THIASSOS

Greece, 1974-75, 230 min, color
Awards: Cannes '75 - FIPRESCI Award at Parallel Sections
Greek Critics Association - 5 awards (film, direction, screenplay,
best actor to Stratos Pachis and best actress to Eva Kotamanidou)
BFI '76 - Best Film of the Year
Italian Film Critics Association - Best Film in the World, 1970-80
The Travelling Players is a film of epic proportions. The action takes place during the years 1939-52 and is seen as a series of individual, often inexplicable events or tableaux, commentated by monologues, by slogans written on the walls, or by songs. It reveals the period's turbulent history while focusing on a traveling company of actors who spend those 14 years wandering through provinces, cities and villages, performing, in increasingly threadbare circumstances, a 19th century pastoral melodrama, Persiadis' "Golfo the Shepherdess". They never get to finish the play and the tranquil sheep painted on their curtain gaze down upon generations of anguish and bloodshed. The passage of history reverberates in individual incidents or is summarized in symbols.
"Greek people have grown up caressing dead stones. I've tried to bring mythology down from the heights and directly to the people."
Theo Angelopoulos
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THEO ANGELOPOULOS


Greek director, born in 1935 in Athens to a family of merchants. He
studied law at the University of Athens and became a practicing lawyer.
At that time he began writing and publishing essays, stories and poems.
After completing his military service in the late 50's, he went to
attend the Sorbonne and then enrolled to study film in the prestigious
French film school, IDHEC. He worked for a time at the Musee de l'Homme
under the tutelage of Jean Rouch, the ethnographer and pioneer of
cinema verite film. He returned to Athens in 1964 and, until 1967,
was a film critic for the leftist paper "Democratic Change". He began
to make films in 1965, an attempt at a full-length feature film entitled
"The Forminx Story" which he never completed after a disagreement
with the producers and then one short film and in 1970 his first full-length
feature film "Reconstruction".
Since then his films have participated in countless international
festivals and have won numerous awards that have established his reputation
as one of the most influential directors in contemporary cinema. Whether
dealing with the recent or distant past, most of Angelopoulos' films
contain a political message applicable to modern times.
Theo Angelopoulos is a strange, solitary and uniquely modern filmmaker.
Originally part of the so-called "Paris group", which was at the core
of reaction in the sixties against traditional cinema, he soon moved
away on his own to carving for himself an important niche among the
great directors of the first century of cinema.

1965 Peripeteies me tous Forminx -unfinished
1968 I Ekpombi - short
1970 Anaparastasi
1972 Meres tou 36
1975 O Thiassos
1977 Oi Kynighoi
1980 Megaleksandros
1981 Ena chorio, enas katikos - docu
1983 Athena, epistrofi stin Acropoli - docu
1983 Taxidi sta Kithira
1986 O Melissokomos
1988 Topio stin omichli
1991 To Meteoro vima tou pelargou
1995 To Vlemma tou Odyssea
1995 Lumiere et compagnie - docu, part
1998 Mia eoniotita ke mia mera
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